"This is not poetry for the faint of heart, or for anyone wishing for a merely inspiring read; it is heartbreaking and purifying as only great poetry can be."—Craig Morgan Teicher, The Cleveland Plain Dealer

"Cole has been called a 'major poet' by no less an authority than Harold Bloom, and his work has been consistently lauded throughout his closely watched career. This […] selection from Cole’s six previous books offers the first bird's-eye view of Cole's body of work, and it will most likely leave readers wanting more. Cole is nothing if not constantly intense on the page—his verse is always melancholy, but also carries a kind of religious weight, as if sadness itself were a ticket out of Hell. Cole is unafraid to embarrass himself ('After the death of my father,' begins one poem, 'I locked// myself in my room, bored and animallike') if it will lead him to his particular brand of skinned clarity, as when, at the end of the same poem, he seeks his father in 'a little room in which glowing cigarettes// came and went, like souls losing magnitude,// but none with the battered hand I knew.' In Cole's poems, the stakes are always impossibly high, and every insight is deeply costly. But perhaps that's the price for being able to say, 'I can feel my heart beating inside my heart.'"—Publishers Weekly (starred review)

Praise for Middle Earth

"Middle Earth is Henri Cole's epiphany, his Whitmanesque sunrise. The modulation of these poems is extraordinary: they have a continuous undersong. 'It must give pleasure,' [Wallace] Stevens said. So oxymoronic is pleasure-pain, in Henri Cole, that we need to modify Stevens . . . Henri Cole has become a master poet, with few peers . . . a central poet of his generation."—Harold Bloom

"These are the poems of a conjurer, ceremonial and hypnotic . . . This collection marks the birth of Cole, a writer in his late forties, as a poet for a wider audience. He displays his sense of humor and takes an unguilty pleasure in his vision."—Dana Goodyear, Los Angeles Times Book Review

Praise for Blackbird and Wolf

"Cole's private but accessible poems reconnect with the life of the senses . . . Direct and elegant . . . Blackbird and Wolf dazzles."—Kate Peterson, The Chicago Times

"Henri Cole's tranquil vistas are dappled with a chiaroscuro of pain . . . In his dogged attempts to embrace nature's apparent grotesqueries, Cole approaches the sublime that Wordsworth defined as a mixture of awe and terror."—Phoebe Pettingell, The New Leader



TABLE OF CONTENTS

From The Marble Queen (1986)
V-Winged and Hoary
Heart of the Monarch
The Mare
The Marble Queen
Father’s Jewelry Box

From The Zoo Wheel of Knowledge (1989)
The Annulment
A Half-Life
White Shets
Ascension on Fire Island
The Zoo Wheel of Knowledge

From The Look of Things (1995)
The Pink and The Black
Paper Dolls
40 Days and 40 Nights
The Roman Baths at Nîmes
You Come When I Call You
The Minimum Circus
Harvard Classics
Une Lettre À New York
Tarantula
Buddha and The Seven Tiger Cubs
Apostasy

From The Visible Man (1998)
White Spine
Adam Dying
From Chiffon Morning
The Coast Guard Station
Horses
Black Mane
From Apollo

From Middle Earth (2003)
Self-Portrait in a Gold Kimono
Icarus Breathing
The Hare
Kayaks
Radiant Ivory
Ape House, Berlin Zoo
Black Camellia
Landscape with Deer and Figure
Green Shade
Myself with Cats
Pillowcase with Praying Mantis
Original Face
Mask
My Tea Ceremony
Self-Portrait as the Red Princess
Olympia
Snow Moon Flower
Blur

From Blackbird and Wolf (2007)
Sycamores
Mimosa Sensitiva
Gulls
Oil & Steel
Twilight
To Sleep
The Tree Cutters
Self-Portrait with Hornets
Gravity and Center
American Kestrel
Homosexuality
Poppies
Bowl of Lilacs
Shaving
My Weed
Self-Portrait with Red Eyes
Beach Walk
Dead Wren
To The Forty-Third President
Dune

Acknowledgements